Posted by Ashley Clark on May 21, 2013 •
On the rise at New York’s downtown film festival this year: post-Hurricane Sandy transmedia, robot documentarists, Vine, lolcats, Facebook-chat reconstructions, a crowd-boggled Paul Verhoeven, cross-format histories from the archive, a smearily digitised Charles Lane rediscovery… and three 35mm celluloid blasts from the past.
“Amidst a large and diverse programme at this year’s Tribeca Film Festival – the eleventh annual edition of the lower Manhattan-based event – the ongoing digitisation of cinema proved the underlying story. From the statistic that only three of the 89 features and 60 shorts presented were on 35mm (the remainder on digital alternative formats DCP and HD Cam), to the myriad opportunities for online engagement, the shock of the emerging was deeply felt. Tribeca also boasted a wide slate of narrative fiction and documentary films from around the world, of course; even so, many of these either explicitly, implicitly, textually or extratextually engaged with issues around evolving digital technology.”
See on www.bfi.org.uk